Tryin’ to let go, but your memory’s still on.
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MUSIC
“Crystalfilm” (Sasha Beatless Mix)
Involver 3
2013
CROSSING from Ferry Boat Films on Vimeo.
Tryin’ to let go, but your memory’s still on.
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MUSIC
“Crystalfilm” (Sasha Beatless Mix)
Involver 3
2013
CROSSING from Ferry Boat Films on Vimeo.
In a previous post, Big Ideas, Small Spaces, I mentioned the thrill of collage as similar to that of editing a video. I believe both are organic, intuitive processes, with exciting, in-the-moment discoveries. Both collage and editing use colors and shapes to imply new artistic ideas. To demonstrate this, I made a self-portrait from the different color skin tones I found in soon-to-be recycled magazines and catalogs.
First, a photograph was taken to display an emotion. This photograph would be later used for a guiding pencil sketch and reference for the pasting of cut-out shapes and colors.
Next, a pencil sketch was drawn on fine charcoal paper. I used the grid technique to blow up the image. Rather than just outline the face, I shaded the drawing to show where the gradations occurred, and to help in the application of the colored magazine paper.
I cut out different shades of skin and separated them into groups. I used school glue to stick down the abstract shapes that fit the gradations of shade in the photograph. Starting with darker skin in the shaded area at the right, I moved left, layering lighter skin tones, to end up with the highlights. For the ear, I used actual ear parts, since they were already the same texture, and sometimes the same shape.
For the mouth and lips, I cut out different colored lip shapes. The tongue was an enormous close-up of a lower lip. Up close, it is quite abstract, but by staying true to the shading in the photograph, I believe it worked. The right brain interprets what that body part is, forgives the literal left brain, and recognizes it as a representation of the real thing.
For the eyes, nose and eyebrows, I puzzled together colored polygons where they best belonged. Again, collaging, like editing video, is an imperfect, intuitive thing. There is no right or wrong here. Just the fidelity to the shading and skin tone. Having the pencil sketch underneath helped to guide where the borders of tone ended and another tone began. I cheated on the eyes, finding a pair with the same color as mine and I used wrinkles found in other places, like the neck and smile line, for the creases in the forehead and under the eyes.
Again, the finished self-portrait collage. I could not resist using a woman’s cleavage for the chin cleft and the magenta colored T-shirt was the icing on the cake!
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You ever gone back to where your memories took place? Where you first shoulder-tapped. Where you first made out. Where you bought the music that changed your life…
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MUSIC
Sasha
“Coma”
Charlie May Ambient Remix
emFire Studios
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2013
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A woman is enticed into a party house.
—
Music
Little Dragon
“Never, Never”
Peacefrog Records
2011
—
2013
—
“LUNA”
36 x 48 inches
Acrylic
Macchine di lusso visionario.
—
Music – “Leaf” Clams Casino, Instrumental Mix Tape 2, 2011
—
2012
—
THREE HAIKU
MY FIRST
I reached for the ring
from our small apartment bed
and proposed to you
~
BUCEPHALUS
bass from my black car
stoned on the road I drove you
through the town street maze
~
MOTHER
I hung up on you
your small, far away phone voice
echoes and echoes
~
PRICE TAG – FREE VERSE
Above the turquoise swimming pool
breaking sunlight beneath
I hold my breath
and once underwater
flashes of a shopping mall
May D&F department store
hiding in the clothing rack
my mother takes me into
the changing room
I lay on the floor
look up at the woman
changing next to us
I can see
up her skirt
the price tag
~
YOU ALREADY MET HER – FREE VERSE
She’ll hustle hard as you
She’ll hustle just as hard as you
Lady samurai will not only make money
She’ll shoot hoops like her daddy taught her to
Joy will sing from her notebook
Kissing moist and tongue locked wet
She shivers when you suck her full lower lip
Now closing in on a fat screaming jet
Filled to capacity with cream
She sits across the airliner aisle
Tiny gold bracelets wrap her wrist
And you’ve seen them before
Because this was your dream
And just as she asks you what you do
She’ll remember this dream too
And know this was for you
And know this was only and all just for you
~
SUNDAY NIGHT VICE, 1986 – BLANK VERSE
To his grandma’s house when she was alive
Later Jan Hammer stereophonic
Eight-year-old head resting on chin, eyes wide
Loyal partners, vintage white Ferrari
Low-slung shoulder holster pistol chest hair
Poolside diamond heist Cuban drug lord
Miami prostitute thrown overboard
Naive black youngster killed wearing a wire
Turquoise ocean and magenta sunset
Television cop show changes boy’s life
~
TOO FAST YOUTH – SONNET
Out the window, I too see the clouds
See the amber light to eternity
The sight is so bright, so much like a shroud
Never would I think it was meant for me
Too fast youth, golden seasons left behind
All of those memories lost in the blaze
In those landscapes painted upon God’s mind
Gave up searching for your face in the haze
Flame to be relit, the heart is no liar
My dumb clumsy traipsing gait cobbled right
I tried rescuing reason from the fire
My bed was cold and I clicked out the light
But far away I could still hear your voice
Soft, heaven sent, and for that I rejoice
~
THE LAST HOUSEWIFE – SONNET
My dream to tie with you my lonely rope,
Has turned to hell, into a life I hate
I fell for you, my love, we did elope
Now stuck with you too long and much too late
Forgive me, but to read this will be tough:
You are a hippopotamus, my queen
To share the labor would have been enough
To work all day just like some hard machine
As you lay languid fore your flick’ring screen
You say you may bring child along the line
A winning husband all you thought you need
You’re wrong to think we need more of your kind
You once did thrill me with your languid life
But here we split, my late and lazy wife
~
AFTER WE TWO PARTED – FREE VERSE
Divorced those years ago.
Never expected to talk to you again.
Not until last week, editing old video footage
Of our trip to Baja.
The magenta bougainvillea
Nostalgia’s wicked film burn,
Dialed your number, one digit different from mine.
No one picked up.
Next morning, you called back.
We talked my entire drive to work.
You moved to Iowa with your new husband,
Organic farmer.
But you were bored,
Alone in a town of one thousand
No restaurants and you cooking every night
I heard your baby talk in the background
And I felt for you,
That child could have been mine.
I hung up before leaving to teach third grade.
I’ll always have the Baja video,
You, happy, hiding behind the mosquito netting
I’ll have the scars, too.
But I’ll never have you.
No, I know, I will never have you.
~
SHE LET HIM BE – VILLANELLE
Like a single tear in the endless sea
His feral laziness legendary
He never lift a paw, she let him be
Lion underneath the acacia tree
Only let the females prowl so closely
Like a single tear in the endless sea
One afternoon, the pride moved on, you see
That raving bitch of age caught up to he
He never lift a paw, she let him be
Desperate solitude, he was so lonely
His release was to find identity
Like a single tear in the endless sea
She showed up one day unexpectedly
A calico of varied pedigree
He never lift a paw, she let him be
She was afraid, she thought he just might leave
He thought she would flee like everybody
Like a single tear in the endless sea
He never lift a paw, she let him be
~
A dying rocker is visited by his bandmates before realizing he has already passed on.
STARRING
(in order of appearance)
Ryan Curtin as Reggie
Sia Urroz as Warren
Danny Ferry as David
Katie French as Francine
Laura Baukol as Carly
Katrina Miller as Maria
&
Joshua Marable as Howard
—
Written by Sia Urroz & Danny Ferry
Cinematography by Tim Brazzell
Produced by Danny Ferry & Sia Urroz
2012
—
NOTE: This film was shot within a 24 hour time period, entirely in sequence, and edited in-camera for the 2012 Boulder 24 Hour Shootout. Color Kite won Best Art Direction and made the Top Ten Best films for the contest. It was also featured on the front page of the Colorado Daily and the Boulder Daily Camera, Saturday, October 21st, 2012.
A short film made for the Denver 48 Hour Film Project competition by Denver, Colorado based, Lake House Productions.
This film was shot and edited within a 48 hour time period. The genre drawn for the contest was Vacation or Holiday. The elements required to be in the film were a character named Russell Powers, a coach, a straw and the line of dialogue: “Let’s keep it in the group.”
Sojourn has successfully reached the “Best of” round and will be shown at the Esquire Theater on September 5th, 2012.
—
Starring
Jadyn Beaver
Devin Mugavero
Danny Ferry
Jared Petsche
Bianka Ihde
—
Directed
by
Henry McComas
—
Produced
by
James Drake
&
Henry McComas
—
Written
by
Jared Petsche
Kevin Kerndt
James Drake
Henry McComas
&
Natalie George
—
Cinematography
James Drake
—
Edited
by
Henry McComas
—
Music
by
Christopher Joye
—
Special Effects
Kevin Kerndt
—
Line Producer
Natalie George
—
Key Grip
&
Boom Operator
Nate Gage
—
Sound Mixing
Henry McComas
—
Runner
Tyler Scarbrough
—
Special Thanks
Crooked Lake Productions
Kerndt Design
Natalie George
&
Christopher Joye Music
—
2012